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    <loc>https://www.nwilliscurator.com/selected-writing/jodi-minnis-rolle-vexing-the-bahamian-hospitality-narrative</loc>
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    <lastmod>2024-12-09</lastmod>
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      <image:title>Selected Writing - Jodi Minnis Rolle: Vexing the Bahamian Hospitality Narrative - Make it stand out</image:title>
      <image:caption>Jodi Minnis Rolle, Solange has a song about this (2023), monotype print on mulberry paper and collage, 14 x 11 inches.</image:caption>
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      <image:title>Selected Writing - Jodi Minnis Rolle: Vexing the Bahamian Hospitality Narrative - Make it stand out</image:title>
      <image:caption>Jodi Minnis Rolle, Everybody’s Business (2024), mixed media installation, dimensions variable. Currently on view at the National Art Gallery of The Bahamas. Image courtesy of Jackson Petit.</image:caption>
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    <loc>https://www.nwilliscurator.com/selected-writing/a-floriography-for-dominique-hunter-or-morning-glory-strategies-for-those-who-choose-to-remain</loc>
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      <image:title>Selected Writing - A Floriography for Dominique Hunter (or, Morning Glory Strategies for those who choose to remain) - Make it stand out</image:title>
      <image:caption>Dominique Hunter, Surrender, 2021, mixed media collage on watercolor paper, 14 x 12 inches. Image by and courtesy of the artist.</image:caption>
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    <loc>https://www.nwilliscurator.com/selected-writing/fictions-more-precious-by-rodell-warner-at-big-medium-austin</loc>
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    <lastmod>2024-12-09</lastmod>
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      <image:title>Selected Writing - Fictions More Precious by Rodell Warner at Big Medium, Austin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.nwilliscurator.com/selected-writing/we-live-at-the-undersides</loc>
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    <lastmod>2021-03-19</lastmod>
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      <image:title>Selected Writing - We Live at the Undersides&lt;/a&gt;</image:title>
      <image:caption>“Mass Transportation” (1998), John Beadle, acrylic and mixed media on canvas, 71 x 53 inches. Part of The Bahamas’ National Collection.</image:caption>
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  <url>
    <loc>https://www.nwilliscurator.com/selected-writing/a-hrefhttpsnagborgbsmixedmediablog2019429from-the-collection-rembrandt-taylors-madonna-and-childfrom-the-collection-rembrandt-taylors-madonna-and-childa</loc>
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    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
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      <image:title>Selected Writing - From the Collection: Rembrandt Taylor’s Madonna and Child&lt;/a&gt;</image:title>
      <image:caption>“Untitled (Madonna and Child)” (1999), Rembrandt Taylor, acrylic on canvas, 50 x 36 in. Part of the National Collection.</image:caption>
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  <url>
    <loc>https://www.nwilliscurator.com/selected-writing/lilith-becomes-her</loc>
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    <priority>0.5</priority>
    <lastmod>2022-03-22</lastmod>
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      <image:title>Selected Writing - Lilith Becomes Her</image:title>
      <image:caption>“And Us” (2018), Tessa Whitehead, oil on canvas, 59” x 49”. Image courtesy of Roland Rose. Work courtesy of the artist.</image:caption>
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    <loc>https://www.nwilliscurator.com/selected-writing/blog-post-title-four-xgsgf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
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      <image:title>Selected Writing - "I ga’ gee’ you what you lookin’ for!" &lt;/a&gt;</image:title>
      <image:caption>Video still from Tamika Galanis’ “Returning the Gaze: I ga gee you what you lookin’ for” (2018), currently on view at the NAGB as part of the 9th National Exhibition “NE9: The Fruit and the Seed”.</image:caption>
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  <url>
    <loc>https://www.nwilliscurator.com/selected-writing/blog-post-title-three-c8jkb</loc>
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    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
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      <image:title>Selected Writing - A De-colonial Soundclash</image:title>
      <image:caption>Rehearsals for the reading of "A True and Exact History" featuring the entire cast of speakers.</image:caption>
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      <image:title>Selected Writing - A De-colonial Soundclash</image:title>
      <image:caption>The group of readers and performers practicing for the performance of “A True and Exact History” for Sunday, July 29th at 4:00pm.</image:caption>
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      <image:title>Selected Writing - A De-colonial Soundclash</image:title>
      <image:caption>Rehearsals for the reading of "A True and Exact History"</image:caption>
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      <image:title>Selected Writing - A De-colonial Soundclash</image:title>
      <image:caption>Promotion material for Sonia Farmer’s “A True and Exact History: A reading. Design by Kriston Chen.</image:caption>
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      <image:title>Selected Writing - A De-colonial Soundclash</image:title>
      <image:caption>The group of readers and performers practicing for the performance of “A True and Exact History”.</image:caption>
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    <loc>https://www.nwilliscurator.com/selected-writing/blog-post-title-two-t4kgj</loc>
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    <lastmod>2021-03-18</lastmod>
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      <image:title>Selected Writing - My Mouth is a Heartbreak</image:title>
      <image:caption>Installation view of “Wisdom Teeth” (2017) as seen in “We Suffer To Remain”, a collaborative exhibition with the British Council.  Image by Dante Carrer.</image:caption>
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      <image:title>Selected Writing - My Mouth is a Heartbreak</image:title>
      <image:caption>Wisdom Teeth” (2017), Anina Major, glass, 3 x 5 x 3 (4). Collection of the artist. Image courtesy of the artist</image:caption>
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      <image:title>Selected Writing - My Mouth is a Heartbreak</image:title>
      <image:caption>“Wisdom Teeth” (2017), Anina Major, glass, 3 x 5 x 3 (4). Collection of the artist. Image by Dante Carrer.</image:caption>
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  <url>
    <loc>https://www.nwilliscurator.com/selected-writing/heinoschmidbalance</loc>
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    <lastmod>2021-03-18</lastmod>
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      <image:title>Selected Writing - Balancing Act</image:title>
      <image:caption>New installation work by Heino Schmid, “Pull” (2017), created for the current Permanent Exhibition “Revisiting An Eye For the Tropics”, displayed across from “Temporary Horizon” (2010).</image:caption>
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      <image:title>Selected Writing - Balancing Act</image:title>
      <image:caption>Still from “Temporary Horizon” (2010), a video work by Heino Schmid and featured in the current Permanent Exhibition, “Revisiting An Eye For the Tropics”.</image:caption>
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      <image:title>Selected Writing - Balancing Act</image:title>
      <image:caption>Installation shot of “Temporary Horizon” (2010) by Heino Schmid, as seen in the “Beyond The Tropical” section of the current Permanent Exhibition, “Revisiting An Eye For the Tropics”.</image:caption>
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      <image:title>Selected Writing - Balancing Act</image:title>
      <image:caption>Still from “Temporary Horizon” (2010), a video work by Heino Schmid and featured in the current Permanent Exhibition, “Revisiting An Eye For the Tropics”.</image:caption>
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      <image:title>Selected Writing - Balancing Act</image:title>
      <image:caption>Still from “Temporary Horizon” (2010), a video work by Heino Schmid and featured in the current Permanent Exhibition, “Revisiting An Eye For the Tropics”.</image:caption>
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      <image:caption>Image courtesy of Adrian Whylly.</image:caption>
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      <image:caption>“Hard Mouth: From the Tongue of the Ocean” at The National Art Gallery of The Bahamas. Permanent Exhibition 2018-2019.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/604d1dac17497771afbe65eb/46bebeaa-78f2-46f1-8328-22d102c51f0c/Floating+Rib-035.jpg</image:loc>
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      <image:caption>Jodi Minnis as part of the group show, “Floating Rib” (2021) The National Art Gallery of The Bahamas.</image:caption>
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      <image:caption>Cydne Coleby in "Queen Mudda" (2021), UNIT London</image:caption>
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      <image:caption>“Lingua Franca: Black Spirit Speaks in Common Tongues” (2019) Art Galleries for Black Studies, University of Texas at Austin.</image:caption>
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      <image:caption>Tamika Galanis for “ancestral: remains to be seen” (2021), the Double Dutch series of exhibitions, The National Art Gallery of The Bahamas</image:caption>
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      <image:caption>Tamika Galanis for “ancestral: remains to be seen” (2021), the Double Dutch series of exhibitions, The National Art Gallery of The Bahamas</image:caption>
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      <image:caption>Khia Poitier as part of the group show, “Floating Rib” (2021) The National Art Gallery of The Bahamas.</image:caption>
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      <image:caption>April Bey as part of the group show, “Floating Rib” (2021) The National Art Gallery of The Bahamas.</image:caption>
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      <image:caption>Jodi Minnis as part of the group show, “Floating Rib” (2021) The National Art Gallery of The Bahamas.</image:caption>
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